Editing

PLEASE NOTE: NEW CLIENT BOOKINGS ARE NOW CLOSED.

Need an editor? I offer free assessments and sample edits up to five pages. Test my work with no obligations. louise@louisebohmer.com

I’m also offering one on one help via Skype as part of my services.


Services: Updated March 2011

Structural edit: When I do a structural edit, I try to be very thorough and point out everything. Besides the basics like grammar, typos, and syntax, here’s a rundown of some of the other areas I assess in a structural edit.

–Verb tense errors
–Point of view errors
–Plot arc consistency
–Character consistency
–Continuity of story

And when I suggest a revision, I will go into detail in the comments as to why I’ve applied the revision. I believe an author has a right to know why changes are suggested or applied, as this makes the author a better editor. All structural edits include a second read through of the manuscript. They also include on call help for the author via Skype.

Copy edit: I check syntax, grammar, punctuation, and stylistic concerns. If the work is in need of formatting, I offer this as well. If I think the story requires a deeper edit than a copy edit can provide, I’ll let the author/publisher know this.

Line edit: This is when the editor goes through the work line by line. See this link for more details on what a line edit entails.

Proofreading: Check for the basics here, but I don’t check format or read line by line.

Please email me at the address above or below for all rates.


Louise Bohmer is a freelance editor with 5 years experience in editing. She managed a publishing house for 2.5 years.

Her CV and letters of recommendation are available upon request. She is is pursuing her CPE ( Certified Professional Editor) through the Editors’ Association of Canada.

If you’d like to hire Louise for editing or other freelancing work, please contact her at: louise@louisebohmer.com for a quote.


Testimonials

“Louise, you do incredible work and I’m glad to be involved with such a pro. I respect your opinions and insights … that is a major part of trusting an editor.”

Steven L. Shrewsbury – author of Tormentor, Stronger Than Death, Bad Magick (w/ Nate Southard)

“Louise Bohmer is one of the most professional and skilled freelance editors I’ve worked with. I have no hesitation in sending any manuscript to her.”

Jacob Kier – Permuted Press

“Louise, I have to tell you — you really did a wonderful job on this. (I) was thrilled by the firm editorial hand on my work.”

Bob Freeman – author of Shadows Over Somerset and Descendant

“Your edits are wonderful. You walk the fine line of editing and suggesting without forcing any changes on me. It seems to me, many times, editors simply try to rewrite a story as they would do it. You’re able to see the voice of the author and respect the story they want to tell. I have no doubt that I’ll be sending any future work to you as well.”

Scott Colbert – Co-publisher of Bandersnatch Books / Author of Barbed Wire Kisses


WORKS EDITED FOR SEVENTH STAR PRESS

Thrall
by Steven L. Shrewsbury
Seventh Star Press

WORKS EDITED FOR LIBRARY OF THE LIVING DEAD PRESS

The Church
John McCuaig
LotLD Press

WORKS EDITED FOR PERMUTED PRESS

If God Doesn’t Show
by R. Thomas Riley and John Grover
Permuted Press

Containment Room 7
by Bryan Hall
Permuted Press

The Undead Situation
by Eloise J. Knapp
Permuted Press

Eden: Resurrection
by Tony Monchinski
Permuted Press

The Eerie Adventures of Robinson Crusoe of York, Lycanthrope
by Peter Clines
Permuted Press

Eden: Crusade
by Tony Monchinski
Permuted Press

Valley of the Dead
by Kim Paffenroth
Permuted Press

WORKS EDITED FOR BELFIRE PRESS

Bedlam Unleashed
by Steven L. Shrewsbury and Peter Welmerink
Belfire Press

Descendant:
A Wolfe & Crowe Investigation
by Bob Freeman
Belfire Press

The White Face Bear
by R. Scott McCoy
Belfire Press

At the End of Church Street
by Gregory L. Hall
Belfire Press

WORKS EDITED FOR MISC. AUTHORS

Peppermint Twist
by Gina Ranalli

Misc. Short Stories
by Eloise J. Knapp

Barbed Wire Kisses
by Scott Colbert
(accepted by KHP Publishers)

Unholy Embrace
Neil Benson

Yokohama Heat
Tiffany Namwong

WORKS EDITED FOR LACHESIS PUBLISHING

THE INFINITE INSTANT
by Danielle Parker

FROZEN BLOOD
by Joel Sutherland

TORMENTOR
by Steven Shrewsbury

Of Wolf & Man
by Christopher Fullbright

EVEN DEAD MEN PLAY CHESS
by Michael Weitz

*Copy Editor*

THE FORGOTTEN DISTURBED
by T.L. Trevaskis
*Copy Editor*

THE GALLOWS ON WARLOCK HILL
by David Hough
*Copy Editor*

COP’S DAUGHTER 2: LAUREN
by Laura Marie Henion

*Copy Editor*

Cop’s Daughter 4: Diana
by Laura Henion
*Copy Editor*

WORKS EDITED FOR LBF BOOKS

DANCE WITH DECEPTION
by Tracy Goodwin

WORKS COPY EDITED FOR MAGUS PRESS

by Kim Paffernoth
by Steve Vernon
Winter Frights
Various Authors

EDITING ARCHIVE

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One Response to Editing

  1. [...] Pick someone you can exchange favors with. You can always hire someone to do these things for you, -but I do prefer exchanging favors with other authors. It builds bonds and relationships that will last for years. The Secret Horror Cabal some idiots accuse certain midlist authors of being part of? That’s a load of hooey, but I will say that people that look like they always have each others backs in the community…do, but not because they’re looking to dick down the new crop of writers (the complete opposite, as a matter of fact). It’s because they’ve come up together, have traded favors, have pulled each other over the wall. I would never expect someone to continuously read my shit and advise me without offering to help them in return. And the people I offer help to, first? They’re the ones I end up workshopping with, partially because they owe me one, but also because in the course of working with them on their material, I figure out that they’re the sort of person that can offer me valuable insight, as well. If you can’t pull your own weight in that sort of relationship, I’d suggest moving on to another technique. There are great editors-for-hire out there. Here’s one. Here’s another. [...]

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